
ENOUGH
Medium: Collage - acrylic paint, paper, pastel, pencil
Size: 12" x 16"
Year: 2024
Enough is the moment you stop asking politely. The moment silence becomes impossible. The moment you realize that staying quiet makes you complicit.

SOLITARY SKYS
Medium: Collage - acrylic paint, paper, pastel, pencil
Size: 11x14
Year: 2024
Visual response to:
Solitary Skies
The floor is crude, cracked, speckled,
19th century concrete.
The walls---colonial white.
The bars---columns of despair.
The air--thick with injustice.
To breathe is laudatory; for windows, ventilation and natural light are nil.
The sky is but a memory; a frozen image of burnt-ora

Word Sentence
Medium: Collage - acrylic paint, paper, pastel, pencil
Size: 36" x 48"
Year: 2024
When making art is not enough, it becomes the record that we tried. That we saw. That we refused defeat.

WILDERNESS
Medium: Collage - acrylic paint, paper, pastel, pencil
Size: 11x14
Year: 2024
Visual response to:
Wilderness
This wilderness
A forest of new dimensions
Asphalt for grass, gun towers for trees
A zoo of rats, roaches,
And the shadows of men.
Nature made concrete
Permanently encased
In a matrix, a maze
Phantoms without names
Exhibits of no escape.
Numerical skeletons
Both waste and fertilizer
Composted
By

STRANGE FRUIT
Medium: Collage - acrylic paint, paper, pastel, pencil
Size: 36" x 48"
Year: 2025
Visual response to:
Strange Fruit (excerpt)
After Billie Holiday
Human ornaments.
The oak trees still stand
The ground, where dark matter
Once kissed the daisies
Has become a precinct
Hooded men of the night
Still meet there and patrol.
© Timothy James Young

4 WALLS
Medium: Collage - acrylic paint, paper, pastel, pencil
Size: 20" x 16"
Year: 2024
Whispers and promises written on the door to freedom in a cell that lies built.

CHEAPSIDE SLAVE
Medium: Collage - acrylic paint, paper, pastel, pencil
Size: 16" x 20"
Year: 2024
Artist: Genevieve Jordan
Lexington, KY. Thousands of enslaved people—sold. Tourism alongside a defaced historical marker—written over, painted red. Barren, desolate lands—untilled and dead. The aftermath.

FORWARD AND BACKWARDS TOO
Medium: Collage - acrylic paint, Oil stick, paper, pastel, pencil
Size: 48" x 72"
Year: 2022

I HAVE A QUESTION
Medium: Collage - acrylic paint, Oil stick, paper, pastel, pencil
Size: 48" x 72"
Year: 2022

KILLING THE IMAGE
Medium: Collage - acrylic paint, paper, pastel, pencil
Size: 60" x 48"
Year: 2022

WHY CANT YOU
Medium: Collage - acrylic paint, Oil Stick, paper, pastel, pencil
Size: 48" x 64"
Year: 2022

911
Medium: Collage - acrylic paint, paper, pastel, pencil
Size: 48" x 36"
Year: 2023

MUSE
Medium: Collage - paper, pastel, pencil, gold leaf
Size: 7" x 9"
Year: 2022

SELF PORTRAIT HAWAII
Medium: Collage - Conte crayon, paper, pastel, pencil
Size: 4" x 6"
Year: 2024

ME NYC
Medium: Collage - acrylic paint, paper, pastel, pencil
Size: 16" x 20"
Year: 2022

ANNA DREW
Fabric printed from original watercolor artwork, hand-sewn with thread and found materials
2021

RBG
Fabric printed from original watercolor artwork, hand-sewn with thread and found materials
2021

Basquiat
Visits his own show King Pleasure NYC
Fabric printed from original watercolor artwork, hand-sewn with thread and found materials
2022
I studied Basquiat not to learn how to paint like him, but to understand what it cost him to create under the pressures he faced—racism, commodification, the art world's refusal to truly hear him. From a watercolor and a VANS box collage (a nod to street art and accessibility), I created two healing dolls as part of my ongoing practice of making replicas that witness and care for artists the system failed.
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